Like many of you, I’ve used Bible software for many years in numerous iterations–eSword, Bible Navigator, Libronix, Logos, Accordance, BibleWorks, et al. Each has their strengths and weaknesses and each one’s usefulness boils down to your purpose for using it and your personal preferences for an interface.
For me, I have preferred BibleWorks since I first began using it at version 7. I upgraded to version 8, but did not upgrade to version 9. When I found out I would be receiving a review copy of BW10, I was quite giddy. Well, it arrived in the mail yesterday and I am eager to install, customize, and use it! Since I didn’t upgrade to version 9, the jump from 8 to 10 should be quite noticeable.
Once I’ve used it a while and have familiarized myself with the changes, I’ll post a review. Until then, happy researching!
Αυτω η δοξα
Several weeks ago, I submitted my last seminar paper. Since then, I’ve been working on my dissertation proposal and preparing/revising my study guides for comprehensive exams this fall.
It’s overwhelming to think about taking these exams, even though they’re about five months away. I hate taking exams anyway, and the inherent importance of comps doesn’t help. The advice I’ve gotten along the way has been quite helpful and I’ll be poring over these for the next few months, so I feel I will do fine. However, that doesn’t mean there won’t be weeping, gnashing of teeth, fits of rage, more hair loss, and bouts of delirium along the way!
But as I remind myself–I signed up for this!
Αυτω η δοξα
Things have been crazy of late, but the lull has returned as has afforded a few minutes to post, this time another Music Monday.
Most the of the must I listen to is intense–heavy guitars, thundering percussion, and harsh vocals. Today’s selection is also intense, but at the other end of the spectrum: Mumford & Sons’ Wilder Mind.
This album has likely already begun to divide M&S’ rabid fan base as it marks a departure from the soulful English folk that launched them to stardom in their native UK and the US. I like Sigh No More and love Babel, so I wasn’t sure what to think when I heard the first song from this album. There was no question it was good–this bunch is quite talented–but would a virtually folk-free album from M&S really hold up?
After numerous listens, I have come to love this album. While the folk instrumentation is all but gone on this album, the soul and heartfelt songwriting remains the heartbeat of M&S and it shines through on every track. You can almost hear banjos and and Mumford’s signature sing kick drum, but alas they are absent, replaced by electric guitars and full drum kit. Marcus Mumord still plays is acoustic as he always had, but I reiterate–what made M&S truly unique is still present, it’s only presented through different instruments.
While I like every song on this album, the standouts are Tompkins Square Park (which has a modern Don Henley Boys of Summer vibe [a song I loved as a kid]), Believe, The Wolf, Monster, Only Love, and Hot Gates.
Αυτω η δοξα
One among many issues in the book of Revelation concerns the mark of the beast–666. While I have my own interpretation/understanding of what that means, it’s been the subject of intense debate over the years. A plethora of candidates have been offered–Muhammad, the Roman Catholic Church, the papacy, various individual popes, Emperor Frederick II Hohenstaufen, Martin Luther, Napoleon Bonaparte, Napoleon III, Mussolini, Gorbachev, Henry Kissinger, Ronald Reagan (each of his three names had six letters—666), Anwar Sadat, Muammar Gadhafi, Saddam Hussein, and I’m sure Obama has been added to this list by some.
One common suggestion for figuring out who the beast is (many scholars point to Nero) is the use of gematria, the practice of assigning numerical value to letters in cultures thad had no distinct numerals (used by both Jewish and Greco-Roman writers). Much of the discussion about this circles around the transliteration of Nero’s name in Greek into Hebrew and, via gematria, you come out with a numerical value of 666.
I was recently involved in a discussion of this and it was suggested that one reason it was unlikely to be Nero is the fact that one would have to transliterate the name (and title) of Nero into Hebrew. My question is this–why would this evidence be considered to weigh against identifying Nero as the beast? It is well known and quite obvious that John assumes his audiences’ familiarity with the OT, so why should we not assume they would have been familiar enough with Hebrew to know what John meant? He has cloaked his rebuke of the empire in the imagery of the OT (and be extension the ANE; he also uses imagery familiar to the Greco-Roman world), so why would this be any exception?
Just a thought–what say ye?
Αυτω η δοξα
 Mitchell G. Reddish, Revelation, Smyth & Helwys Bible Commentary (Macon, GA: Smyth & Helwys, 2001), 268.
One of my former profs Gerald Stevens writes
“Signs of the times” preaching is pure gimmickry. The goal is to persuade an uncritical audience, which, given America’s rampant scriptural ignorance, general gullibility, pervasive conspiracy mindset, and widespread fears of social and political disruption, is not that hard.
Gerald L. Stevens, Revelation: The Past and Future of John’s Apocalypse (Eugene, OR: Pickwick Publications, 2014), 160–61.
Ouch. Blood moons, anyone?
Αυτω η δοξα
As I mentioned not long ago, one cultural phenomenon that has long intrigued and fascinated me is the Mob (I blame The Godfather and GoodFellas!). I just saw on Twitter that AMC is airing an eight-part special entitled The Making of the Mob narrated by Ray Liotta.
Oh this is a must-watch for me! Set your DVRs!!
Αυτω η δοξα